Retirement Plan

 

A bonus story from the Rifters universe…

Cordelia Swit at Retirement

Neat, sprawling lines curled across the page in rapid succession, creating Settler, Oregon’s newest festival, Pumpkin & Tinsel. Cordelia’s hand moved as assuredly as it always had, commanding the fountain pen to approve the transfer of ownership of the family home her father had built into the hands of the county. It was the last piece of his legacy to go. The grazing lands had been signed over to the town three decades ago. With her daughter in charge of the county’s assets, Cordelia knew the house would get the care it needed.

“Mother, are you almost done? I have a meeting.” Josie strode into the office as if she owned it, wearing trousers. Trousers. “Quit making that face at me.”

“Pants? They border on indecent.”

“Only you think so.” A white blouse and sweater vest completed, Josie’s outfit. Her tightly coiled brown curls were sleek and perfectly controlled. “It’s not the 1920s anymore.”

Cordelia glanced down at her clothes. The tweed skirt was softly full and straight, and she wore a boldly striped necktie with her white blouse. Her usual shawl in tones of black and gold wrapped around her shoulders, its gold fringe always blowing in a breeze. Sometimes of its own making. She caressed the silky fringe, wondering about an old friend from another world. This garment wasn’t a garment but a piece of him he left behind. He had helped her save this town, and she hoped to run into him one more time before she left this life.

So many years spent watching over the rift that connected Settler to forty-one other universes, and she didn’t know enough about what lay on the other side of the portal. Humans were forbidden to cross its threshold. The rulers implied she’d burst into flames or worse if she dared. Maybe one day she’d dare.

“You assigned me this task to create more business for the town. I’m only getting started.”

“You don’t have to work here.” Josie sat down, her expression softening. “You certainly didn’t have to retire.” She glanced around the room never updated from the 1920s: the same heavy oak desk, credenza against the wall under the windows, and the shelves crammed with her mother’s mementos and achievements behind her. The only change had been her replacing the old candlestick style phone with the latest model—a heavy, glossy black Bakelite affair, with a rotary dial and cloth-covered cords.

“I wanted more time with family, which I’m doing right now. I’m here with you, helping you.”

Josie raised a hand to quiet Cordelia. “You’re always welcome, Mother. This is still your office, and I’d appreciate your input on handling Mr. Newell if it comes to it.”

“If you’re sure…”

An abrupt laugh rattled from Josie’s perfectly painted, deep crimson lips. “You’re seriously going to make me say it again? That’s not like you to pounce on the hit of an invitation.” Bending her head, she read through sheafs of paper and with a decided hand, scrawled some notes on several pages.

Cordelia returned to adding skeletal structure to the new festival, which she decided would best serve the town the third weekend of October. Most neighboring towns had their harvest festivals before then, and the holiday season wasn’t yet in full swing. With her father’s old house rumored to be haunted, it was the perfect venue for a party celebrating all the most fabulous parts of all the upcoming holidays.

A sharp rap on the door announced the arrival of Josie’s meeting. Tim Newell stood in the doorway, the door already wide open in welcome. Cowboy hat in hand, he glanced between Cordelia and her daughter. Josie rose from the desk and offered her hand.

“Thank you for coming, Mr. Newell.”

“Mrs. Cepeda.” His gaze remained on Cordelia until he was ushered into a chair.

The festival reclaimed Cordelia’s attention while Josie explained to Tim how the county needed to widen the road and would need to acquire a small strip of his property to do so. He hemmed and hawed as expected.

“We only require an easement, Tim,” Cordelia spoke up. “You retain the mineral, grazing, water, and all other rights to the land. If the road is ever decommissioned, the easement ends and the land is yours again. In the meantime, the upkeep of that strip is on us.”

“All righty then.” He shook hands with Josie. “Send the papers over to Bernard.”

“You don’t need a lawyer,” Cordelia commented.

“I think otherwise,” Josie replied. “Buttoned up and right is exactly what we’ll do, Mr. Newell. He needs to protect himself. One day a stranger will occupy this office, someone we’ve never met.”

“I can’t imagine such a day.” Not a day would come where Cordelia didn’t know everyone in town and everyone knowing they could trust her. “Do it your way.”

“I will, thank you.”

Raising such a forthright daughter could be trying, but Cordelia wouldn’t have changed a thing. The new-fangled phone clanged on the desk, irritating enough to provoke the dead. Josie didn’t pick up, letting it ring.

“You should have kept the other phone. This ring is so shrill.” She reached to pick it up.

Josie’s hand stopped her. “People should think I’m busy.” She picked up on the ninth ring. Her words were cheerful but efficient, not bothering with frivolity, then she gently set the receiver down on the cradle. “That was the school. Martin is sick. You said you wanted more time with family. Help me out and go take care of him?”

Protests swirled in her mind and snappish quips. Instead, Cordelia, packed the pen and papers in her handbag and made to leave. “Poor child. If you’d rather be home with him, I can manage the office, Josie.”

Her daughter blinked for a moment, thoughts flitting in her dark eyes before she answered. “Kind of you, but Geemaw coddles him best. He’d appreciate you fussing over him. Will you?”

“Of course.” She kissed her daughter’s forehead and left the office, gliding down the spiraling staircase made of marble and ornate wrought iron. Afternoon sun flooded in from the glass doors, tinting the pale granite tiles on the floor in brilliant splashes of yellow. Cordelia followed their invitation out into the cool September air. The courtyard hemmed by buildings on three sides stretched in pleasant green, the soft grass defying the relentless desert air.

The building on the left was the backside of the county library and the firehouse, services that forged the backbone of Settler. A young man stood on a scaffold, his arm sweeping color across the concrete and conjuring pine trees from his fingertips.

Cordelia diverted from the proper walkway to traipse across the grass. She cleared her throat loudly.

The young man set down the brush and hopped down off the scaffolding. “Cordelia.” He nodded.

“So, you’ve decided on the mural then, Mr. Hester?”

His eyes narrowed. “I have. A happy lumberjack.” He wiped his hands on a cloth covered with different splotches of paint. “Why the formality all of a sudden? Did I screw the Rifters up already?”

“No, no, you haven’t, Len. I’m sorry. So much change is not easy.”

“And not for a spitfire like you. No need to apologize, but I’d like to stop by once the rift closes to discuss the season with you if you don’t mind.”

“Two weeks left. I’d be happy to provide some counsel if you truly need it. Doubts abound on that score. I selected you for a reason.”

“I will not disappoint the confidence you place in me, but until this summer we were a team. There’s still value in that, Cordelia.”

“Well, I’ll leave you to beautifying the town and handling the rift. My grandson needs me.”

His face fell. “Oh, which one?”

“Marty. He’s fallen ill.”

“Nothing serious I hope?”

“Most likely an upset stomach. Your kind thoughts are appreciated, though.” She returned the walkway, hurrying toward the school, her heart heavy. The county didn’t need her. Josie was more than capable and could certainly plan this festival on her own. The Rifters didn’t need her. She hadn’t heard one whisper or rumor in town all summer about anything strange going on. According to Josie, the rift had opened a record twelve times since June, and had spit out monster after monster.

At the corner, she turned left and headed up the hill past the firehouse and the library toward the new school gleaming with new concrete and glass, flags snapping in the breeze from the pole. The fringe on her shawl joined in.

The administrative offices were off the entry, and Cordelia found Marty sobbing in a chair. She remembered crying like that when her parents sent her to her aunt’s one summer, the summer that took her mother from her. She knelt in front of him, cupping his tiny face.

“My dear, Marty, whatever is the matter?”

“I threw up,” he hiccupped.

“That happens when you get sick.”

He sobbed harder. “On Judy.”

He’d had a crush on Judy since he started kindergarten last year. “Oh, well… Someday, the two of you will laugh about this. I promise. Can I get you home?”

He nodded, and she picked him up, carrying him out into the sun and down the hill. A few blocks southwest of town, she entered a quaint two-story Victorian built by her late husband. Josie and her family had moved in years ago, and Cordelia had moved to the carriage house out back.

After making her grandson take a warm bath and getting him in his jammies, Cordelia tucked him in to bed. She handed him a warm cup of ginger tea. “Sip on that and lie down. You need your rest.”

“What do I tell her, Geemaw?” His tiny brow was furrowed as seriously as if he contemplated the meaning of life.

“Judy?” She pointed to the tea cup. “Three small sips, then put it down.”

He nodded and dutifully took a small drink. “I made her cry.” He shrank, smaller than his already tiny six-year-old frame.

The room he shared with an older brother had been painted in blue and had once been yellow when occupied by his mother and her two sisters. The dollhouse and tea table had been replaced with a train set, Lincoln Logs, and tin soldiers.

“Well, you tell her you’re sorry first of all, and we’ll take her to the movies with us when you’re better. Flash Gordon comes out next week. Do you think she’d like that?”

His expression remained somber and serious. “She’s more into the Red Rider.”

“Then we’ll take her to that one or let her pick. We’ll go into town and make a day of it. Get her a new dress to replace the one you puked on.”

He giggled and set down the tea cup. “Geemaw, you said puked.”

“Our secret, Marty. Now close your eyes, and I’ll tell you of the latest Green Hornet adventure.” She often made up new stories for him and her other grandchildren. Sometimes they were based on real adventures she’d had in her life with monsters from the rift.

He settled in, smiling in a drowsy way. “You always make me feel better, Geemaw.”

There was no better job. Marty and his cousins could keep her busier than she ever was as county commissioner or leader of the Rifters. She wanted them to really know her, and she wanted to get a sense of the people they would become. She’d finish planning the festival, and after that she knew she wouldn’t visit her old office any more.

 

 

 

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Book Review: Platform Decay by Martha Wells

 

A Master Class in Character

Platform Decay by Martha Wells

Martha Wells is so in tune with Murderbot that it’s brilliant. She never breaks character and never lets us see the author behind the scenes. SecUnit feels completely real, from its dry observations to the way it processes the world around it.

As always, SecUnit is hilarious, deeply human, and someone I’m always rooting for. The way it views people and situations often cuts through pretense and exposes truths the rest of us would rather ignore. That unique perspective is one of the reasons this series continues to shine.

The plot is fun and pure Murderbot, with the added delight of newly rogue security units running around creating complications. There are plenty of twists, dangers, and moments of humor, but for me, the plot is almost secondary.

The real joy of these books is spending time with SecUnit. Watching how it navigates life, relationships, and increasingly complicated situations is what keeps me coming back. Every installment deepens my appreciation for the character and the world Wells has created.

My only complaint? The book ended.

Now I have to wait for the next installment.

Yes, more please.

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M. Pax Tales is here!

 

I’ve been wanting to bring my stories to life in a different way, and now I’m doing it one story at a time.

M Pax Tales Logo

M. Pax Tales features short stories from my science fiction worlds, narrated by me and released in audio and video. Some are brand-new stories. Others will eventually take you into the worlds of my published books.

The first episodes are already out, and there’s plenty more coming. I’ll be adding new stories regularly, so if you like science fiction, strange worlds, questionable decisions, and the occasional bit of trouble, come listen!

You can find M. Pax Tales here:

🎧 Listen & watch on YouTube

🎧 Listen & watch on Spotify

🎧 Listen & watch on Substack

Pick your favorite platform, settle in, and come explore.

Escape Beckons.

 

 

 

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The Void (2001) Movie Review

 

Stargate Meets Highlander in The Void

The void, science fiction movieTwo powerhouses of science fiction teamed up in The Void, a story about black hole and collider science gone wrong.

I’d guess, based on Amanda Tapping’s haircut and the technology (hello, floppy disks), that this was made sometime during the Stargate era. IMDb confirms it: 2001.

Both actors do a credible job, but the story itself is rather dull. Their natural charisma does a lot of heavy lifting here and honestly more than the story does. Amanda’s character, Eva, sits comfortably in her Sam Carter wheelhouse, delivering technobabble with her usual effortless confidence.

Stephen (Adrian Paul) has the opposite problem: he’s a bit too passive. I kept wanting him to take more of a driving role instead of being bossed around by Eva. That imbalance is not the major issue of the movie, however.

It’s not a terrible watch, but it never quite comes alive. With a stronger plot and a more balanced dynamic between the leads, it could have been something memorable.

As it stands, I give The Void a 2.5 beer rating. You’ll need at least two beers to really enjoy it. Without Adrian Paul and Amanda Tapping, that drops closer to a 4-beer experience.

Hey, I watch these movies so you don’t have to. However, if you find Adrian and Amanda irresistible, The Void can be watched in its entirety on YouTube. Here’s the link: https://www.youtube.com/watch?v=3T53jr35M8M

 

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Closeted Magic

 

A worldbuilding post from the Rifters universe…

Rifters library closet

 

There is a closet in the Caslow County Library, where Daelin Long serves as librarian. Sometimes it exists, and sometimes it doesn’t. When it does, it can be found one door beyond the restroom.

At first glance, the closet looks completely ordinary. The wooden doorframe is carved with strange symbols, but the door itself appears unremarkable. Beyond it is a small storage room, only about five feet by three feet.

The symbols on the doorframe respond only to the librarian, and only if the library has accepted that person as its true librarian. When the true librarian touches one of the symbols, it glows blue.

The closet is far more than a storage room. The librarian can use it to jump between universes, allowing the closet to hide and shield them from dangers coming through the rift or from enemies pursuing them. The closet can also enchant portraits, transforming them into vehicles for communication across universes.

Like all objects and devices derived from the rift and its energies, the closet’s magic is available only during the season of the rift, which lasts from the summer solstice to the fall equinox.

 

 

 

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A Mission Into Certain Death: Clockwork Boys Book Review

 

An entertaining road mission where criminals become reluctant heroes on a journey that feels doomed from the start…

Clockwork Boys Review

T. Kingfisher excels at creating unusual, deeply human characters who fall far outside the typical fantasy cast. In Clockwork Boys, she assembles a small, uneasy band of criminals and outcasts and sends them toward what is essentially a death sentence and one they all understand, but accept anyway because the alternative is worse.

The premise is deceptively simple: a war-torn realm is threatened by terrifying mechanical soldiers known as the Clockwork Boys. To stop them, a group of prisoners is sent on an almost impossible mission. They must travel into enemy territory, reach the city behind the war machine, and uncover something useful enough to turn the tide. Survival is unlikely.

The group itself is where Kingfisher’s strength truly shows.

We follow:

  • Slate, a gifted forger who was finally caught
  • Caliban, a paladin who once became a vessel for a demon and committed mass murder
  • Brenner, an assassin with a healthy does of snark
  • and Learned Edmund, a young scholar with no idea what he’s gotten himself into

None of them are heroes in the traditional sense. All are deeply flawed. And yet, they are bound together by necessity, magical compulsion, and a shared understanding that prison or execution is the only alternative to this mission.

At first, their motivation is simple: survive because they must. A magical tattoo ensures compliance, punishing any attempt to abandon the mission. But as the journey progresses, something more complicated emerges. Loyalty forms in unlikely places. And the mission slowly becomes less about survival and more about what kind of people they are becoming on the road.

Kingfisher handles this evolution with remarkable ease. The world feels lived-in without being over-explained, and the plot moves forward without losing focus on character. There’s a steady undercurrent of dark twists, which builds the dread and the urgency.

What stood out most to me is how effortlessly Kingfisher takes what could be really complex and lets it read easily. The characters are distinct, flawed, and constantly negotiating their place within the group.

By the end, I was already reaching for the sequel. Not because the story ends before its done, but because I wanted more time with this strange, reluctant band of travelers moving toward an uncertain fate.

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